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Praise

PRAISE FOR SAM PHILLIPS: THE MAN WHO INVENTED ROCK 'N' ROLL

A NEW YORK TIME BESTSELLER & WASHINGTON POST NOTABLE NONFICTION BOOK OF THE YEAR (2015)
"If there’s a leading figure among writers on American popular music—one who both defines and transcends the field—it has to be Peter Guralnick. . . . He approaches artists thoughtfully and connects with them—rather than their fame, beauty, or choice of handbag—and, through their voices, to their art. . . . For the author, it adds up to a study in the 'imaginative impulse.' For readers [this book] is an opportunity to appreciate Mr. Guralnick’s career, the music that has excited him, and the progress of his style."—Preston Lauterbach, Wall Street Journal
"Mr. Guralnick is a sensitive biographer who has landed upon a perfect topic in Phillips, the brilliant Memphis producer who, in the 1950s, recorded the earliest work of Elvis Presley, Johnny Cash, Jerry Lee Lewis and Howlin' Wolf. This is vital American history, smartly and warmly told."—Dwight Garner, New York Times, Top Books of 2015
"Be warned: the chapters on Solomon Burke, Doc Pomus, and Dick Curless just might squeeze tears out of you. . . . Willie Dixon, Merle Haggard, Johnny Cash, I imagine their spirits all around Guralnick, seeking what the author feels is the 'one common denominator for all great music, its capacity to bring a smile to your lips' … If this is what it means to get lost, it's a wonder anyone would ever care to be found."—Brett Marie, Pop Matters
"Definitive...With Presley's story at its core, Sam Phillips: The Man Who Invented Rock 'n' Roll is in some ways the third volume [to] Guralnick's double-volume Elvis bio. What makes it more illuminating and arguably truer is seeing Elvis in the broader context of Phillips' career, [which was] in many ways a mission to transform [t]his nation's history of bigotry....You may come away born again."—Rolling Stone
"Guralnick has always been particularly passionate about music that transcends categorization…. He seems to prize most of all the intuitive individuality that distinguishes artistry—what makes a Jerry Lee Lewis, a Ray Charles, or a Merle Haggard more than the sum of their influences. “Simply put,” the author writes at the beginning, “this is a book about creativity,” and the sort of creativity that he appreciates in others can be seen throughout his work as well. Some of the book’s richest pieces focus on performers who Guralnick feels haven’t been given their due or whose music has to be experienced live because it loses something in the studio [but he] is nearly as revelatory when writing about well-known musicians; he invites readers to appreciate Chuck Berry, Johnny Cash, and Ray Charles with fresh ears .…. A collection that clearly expresses the passion of musical discovery and lasting legacy."—Kirkus Reviews (starred)
"A book so thoroughly steeped in its subject that it is almost an autobiography in the third person.... 'This is a book written out of admiration and love,' Guralnick states frankly in an author's note. As such, it honors Sam Phillips elegantly, by devoting itself to the one subject Phillips seemed to admire and love as much as he did ­music: Sam Phillips himself."—David Hajdu, New York Times Book Review
"Peter Guralnick is one of the 3 or 4 greatest writers in the country today. His searching intelligence, his unquenchable curiosity, his astonishing omnicompetence and his stunning scope of knowledge are all on display in this breathtaking volume dedicated to the odd duties of art and the taxing if transcendent assignments of genius. In Looking to Get Lost, Guralnick explores everything from the edifying enigma of blues icon Robert Johnson to the Appalachian absurdity of writer Lee Smith as he taps the veins of their, and other artists’, combustible originality — all while fashioning his own inimitable aesthetic and sublime style as a formidable master of American letters."—Michael Eric Dyson, author of Long Time Coming: Reckoning with Race in America
"Lovingly crafted.... With crisp prose and meticulous detail, Guralnick gives Phillips the same epic treatment he previously employed in acclaimed biographies of Sam Cooke and Elvis Presley.... An astonishing feat.... It is difficult to imagine a more complete or poetic account of his life than this remarkable volume.... 'I didn't set out to revolutionize the world,' Phillips once told Guralnick in a moment of humility, but in this book [the author] convincingly argues that Phillips did just that."—Charles Hughes, The Washington Post
"Peter Guralnick’s new book Looking to Get Lost: Adventures in Music and Writing is a slow read — slow because it’s impossible not to keep stopping and listening to music. After reading his essay on Skip James, I lost a solid two hours on Spotify. Many of the blues and country artists he covers in this collection— Robert Johnson, Ray Charles, Johnny Cash, Merle Haggard, Howlin’ Wolf, Tammy Wynette, Chuck Berry — are huge figures, but because Guralnick is such a fine-grained storyteller and so driven by a deep passion for the music, even familiar characters emerge in a revealing new light."—Hugo Lindgren, GQ
"Guralnick has established himself as the cultural historian who, when it comes to the roots of American rock ‘n’ roll, always takes the long view. . . . Looking to Get Lost features essays written from inside some of popular music’s longest shadows -- Ray Charles, Johnny Cash, Eric Clapton. But it also tells a subtle story of Guralnick’s own long journey."—Boston Globe
"Peter Guralnick isn't just a music writer or a biographer--he's one of the essential chroniclers of American popular culture, and his work illuminates some of the crucial components of our national identity: race, religion, fame, and the big business of having fun, among others. In this epic biography of Sam Phillips, Guralnick bears witness to the birth of rock and roll and the cultural revolution it inspired. It's not only an unforgettable portrait of an eccentric visionary, it's a testament to the power of ordinary people to change the world with nothing more than a beautiful idea and a handful of songs."—Tom Perrotta, author of The Leftovers
"When Elvis Presley stepped into a Memphis recording studio with producer Sam Phillips in 1954, they defined rock 'n' roll as we know it. Peter Guralnick already gave us Elvis's story in two landmark books. He now returns with a brilliant, intensely human look at Phillips, the endlessly fascinating figure who also recorded Johnny Cash, B.B King, Howlin' Wolf, and Jerry Lee Lewis. It's a bold, insightful work that tells us in novelistic detail about the obsessions and struggles of the man who presided over the uneasy birth of rock 'n' roll."—Robert Hilburn, author of Johnny Cash
"Peter Guralnick is a dedicated explorer, and like all explorers with true mastery of their quest, he is singular and tenacious. He goes deep into the difficult emotional undercurrents, and the contradictions of success, in the lives of artists, and by subtle extension, into his own life. He is a writer of great sensitivity and intuition, who lyrically untangles the network that exists between artist and art, persona and humanity, rhythm and melody, the mortal desires that underscore it all, and, crucially and seamlessly, his own relationship to everything and everyone he contemplates."—Rosanne Cash
"Sam Phillips is an epic biography, at once sweeping and personal, in which the gifted writer Peter Guralnick captures the voice and life of a transformational figure in American music."—Jess Walter, author of Beautiful Ruins
"Charlie Rich once wrote a beautiful song called “Feel Like Going Home.” It’s an extraordinary, yearning ballad. What is more remarkable, it was composed in response to a portrait of the singer written by Peter Guralnick, from an anthology with the same name. It is more common for music to inspire prose of various shades of purple, but this was a description of a man with conflicts at a moment after his greatest commercial success had left him, nonetheless, with crippling self-doubt and a tendency to self-destruct. Peter Guralnick’s portrait moved Charlie Rich with its honesty and humility, and he, in turn, was moved to render this lovely heartfelt song of longing. I can think of no finer compliment to a writer on the subject of music and humanity than to inspire a song in this way."—Elvis Costello
"Peter Guralnick views his job as telling the Great American Story through the accomplishments of those who were larger than life and had the ability to make the nation feel as one through their music. What I love most about this anthology is Peter's Zip-Stripping of the synthetic veneer that cakes up on notable artists over time, masking the natural grain of their triumphs. He rebuilds the true legacy of these artists and personalities by slowly revealing the factors that made them tick and the creative impulses that drove them. [He] reminds us that exceptional rock writing is essentially sublime storytelling."—Marc Myers, Jazzwax
"A monumental biography of the larger-than-life loner who fought for the acceptance of black music and discovered an extraordinary group of poor, country-boy singers whose records would transform American popular culture.... A wonderful story that brings us deep into that moment when America made race music its own and gave rise to the rock sound now heard around the world."—Kirkus Reviews (starred review)
"Guralnick wrote definitive biographies of Elvis and now does the same for Phillips, a visionary who gave voice to a rich and diverse culture long marginalized.... Essential reading for music fans."—Ben Segedin, Booklist (starred review)
"Peter Guralnick's Looking to Get Lost — a literary masterpiece — takes the reader on a fantastic journey through the very best of America's musical landscape. His jewel-like personal stories about Skip James, Bill Monroe, Doc Pomus, Solomon Burke, Joe Tex and others are priceless. Looking to Get Lost proves that nobody knows more about rhythm and blues, bluegrass, rockabilly, and soul music than Guralnick. This pulsing jukebox of a memoir and cultural history certifies that mighty claim."—Douglas Brinkley, Author of Cronkite
"Others have studied and written about 20th-century American music with punch and flair, but nobody has done it like Peter Guralnick. [Here] as Guralnick writes about country singer Dick Curless, novelist Lee Smith, and bluesman Skip James, he also writes about himself. The result is a book that’s both reportage and memoir . . . A refreshing departure."—Geoff Edgers, Washington Post
"Epic, elegant and crisply told."—Henry L. Carrigan, Jr., BookPage
"Acclaimed music historian Guralnick has written landmark accounts of Elvis and the history of American roots music, and he now turns his considerable skills to the life of Sun Records producer Sam Phillips in this delightful and comprehensive volume. Guralnick energetically tells the must-read tale of a Southern boy intent on enacting his vision of freedom and justice through music."—Publishers Weekly (starred review)
"In the introduction to this collection of profiles, American roots music chronicler Peter Guralnick plays that old game of imagining his favorite dinner party, composed of the subjects of his book. And what a gathering! Guralnick writes with deep empathy and respect about legends like Johnny Cash and Willie Dixon, lesser-known key figures like bluesman Lonnie Mack and music-adjacent kindred spirits like the novelist Lee Smith. This book will make you feel nostalgic for up-close conversations as Guralnick gently reaches the heart and soul of his subjects."Ann Powers, NPR Music
"In his new book, Guralnick has tracked down unlikely subjects….building human connections and bringing their worlds to life in novelistic detail.  Looking to Get Lost is full of new insights on musical legends [as he] traces the personal experiences that led him to become a writer, and the creative revelations he discovered along the way. “Waylon Jennings, Bobby ‘Blue’ Bland, Solomon Burke, Charlie Rich – all of them were passionately committed to finding a voice,” Guralnick says, [citing] in one moving passage a conversation with Ray Charles not long before he died, where the singer recalled singing a spiritual at Sam Cooke’s funeral 40 years earlier. “I gave my heart to it, man,” Charles said. “Everything that came out of me was truly genuine, there was nothing fake about it.”"—Rolling Stone
"The book is a labor of love. Guralnick is passionate about the music, but he doesn't let his passion overinflate his prose, and he seems to know everything about everyone who was part of the Southern music world... It's natural for us to take events that were to a significant extent the product of guesswork, accident, short-term opportunism and good luck...and shape them into a heroic narrative....But a legend is just one of the forms that history takes -- which is why it's good to have Guralnick's book."—Louis Menand, The New Yorker
"Guralnick’s dazzling new book of profiles is not a summation so much as a culmination of his remarkable work, which from the start has encompassed the full sweep of blues, gospel, country, and rock and roll. It covers old ground from new perspectives, offering deeply felt, masterful, and strikingly personal portraits of creative artists, both musicians and writers, at the height of their powers. Looking to Get Lost is such a treat, however, because it’s not only about music; the book gives us a glimpse at Guralnick the writer and Guralnick the reader and comes as close as we’re likely to get to something like an autobiography. What connects these pieces is Guralnick’s creativity, his love of getting lost in a story or a song, and his desire to write."—Henry Carrigan, No Depression
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One of NPR’s Best Books of 2020
One of Kirkus Review/Rolling Stone’s Top Music Books of 2020
One of No Depression’s Best Books of 2020

By the bestselling author of Sam Phillips: The Man Who Invented Rock ‘n’ Roll and Last Train the Memphis: The Rise of Elvis Presley, this dazzling new book of profiles is a culmination of Peter Guralnick’s remarkable work, which from the start has encompassed the full sweep of blues, gospel, country, and rock 'n' roll.


It covers old ground from new perspectives, offering deeply felt, masterful, and strikingly personal portraits of creative artists, both musicians and writers, at the height of their powers.

“You put the book down feeling that its sweep is vast, that you have read of giants who walked among us,” rock critic Lester Bangs wrote of Guralnick’s earlier work in words that could just as easily be applied to this new one. And yet, for all of the encomiums that Guralnick’s books have earned for their remarkable insights and depth of feeling, Looking to Get Lost is his most personal book yet. For readers who have grown up on Guralnick’s unique vision of the vast sweep of the American musical landscape, who have imbibed his loving and lively portraits and biographies of such titanic figures as Elvis Presley, Sam Cooke, and Sam Phillips, there are multiple surprises and delights here, carrying on and extending all the themes, fascinations, and passions of his groundbreaking earlier work.