"[A] lyrical and beautifully observed reflection on women's lives.... Highly absorbing.... Zumas is a skillful writer, expertly keeping each of her characters in balanced motion, never allowing one to dominate the rest. Her cunning device of not revealing the name of each character in the sections she narrates grants us a multidimensional perspective on all four women, highlighting their roles in one another's stories. It's a beautiful metaphor for the interdependence of women's lives."—Naomi Alderman, New York Times Book Review
"In an alarming peek into a dystopian future, a group of women navigates family and motherhood in an America that has outlawed abortion, in vitro fertilization, and adoption by single women. Each of the interwoven story lines is complex and heartbreaking in its own way, and overall it's a fascinating and unsettling exploration of the limits society can place on women's bodies."—Samantha Irby, Marie Claire
"The story is set in a small Oregon town in a future that Mike Pence can almost see if he stands on his pew...This provocative exploration of female longing, frustration and determination couldn't be more timely, and yet there's nothing fleeting about it. With Red Clocks, Zumas has written a novel that's political without being doctrinaire, that expands the dimensions of our most pressing social debate."—Ron Charles, Washington Post
"Intricate and alarming, Leni Zumas' riveting second novel, Red Clocks, arrives just in time....Wry and urgent, defiant and stylish, Zumas' braided tale follows the intertwined fates of four women whose lives this law irrevocably alters....Lit up with verbal pyrotechnics and built with an admirably balanced structure, Red Clocks is undeniably gorgeously written.... Indispensable."—Chicago Tribune
"An enchanting ramble through the myths and mundanities of womanhood.... "Red Clocks" ends up feeling like an enjoyable puzzle that is fundamentally unsolvable, some of its pieces playfully misplaced along the way. The fractured narrative leaves us to connect the dots between these disparate characters, all of whom make bleak compromises because they - like so many women throughout history - have so few options available to them."—Los Angeles Times
"Hilarious, terrifying, and masterful--this pitch-perfect, timely novel reflects the horror and absurdity of our political landscape with a brilliance that ensures the book's timelessness. A poignant, wickedly sharp classic."—Alissa Nutting, author of Made for Love and Tampa
"A cautionary work of far-sighted fiction.... Spooky-good."
"Leni Zumas here proves she can do almost anything. Her tale feels part Melvillian, part Lydia Davis, part Octavia Butler-but really Zumas's vision is entirely her own. RED CLOCKS is funny, mordant, political, poetic, alarming, and inspiring-not to mention a way forward for fiction now."—Maggie Nelson
"Where a lesser writer might have delivered a shrill, one-sided polemic, Zumas draws us into the intersecting lives of five women in a profound exploration of our attitudes toward motherhood, freedom and life itself.... A page-turning plot is rendered in sentences as gorgeous and wise as poems...Be prepared to dog-ear these pages."—Oprah.com
"Strange and lovely and luminous. I loved Red Clocks with my whole heart."—Kelly Link, author of Magic for Beginners
"In bristling sentences, Zumas shows girls and women defying the excruciating restrictions imposed by both law and culture. Red Clocks is unabashedly political and fiercely humane."—Emily Fridlund, author of History of Wolves
"Move over Atwood, Leni Zumas's Red Clocks is a gender roaring tour de force. The bodies of women in Red Clocks are each the site of resistance and revolution. I screamed out loud. I pumped my fist in the air. And I remembered how hope is forged from the ground up, through the bodies of women who won't be buried."—Lidia Yuknavitch
"Zumas manages a loose yet consistently engaging tone as she illustrates the extent to which the self-image of modern women is shaped by marriage, career, or motherhood. Dark humor further enhances the novel, making this a thoroughly affecting and memorable political parable."
"The women in this suspenseful book resist. They will not be circumscribed. The effect on the reader is cathartic."—Christine Schutt, author of Prosperous Friends
"I have never read stories like Leni Zumas's before and I can't get them out of my head. Her language is real sorcery-it dismantles the world you think you know and takes you to strange, fecund territories of the imagination. Sentence by sentence, Leni creates worlds so vivid and fever-bright that you forget you're reading words on a page and begin to see real plums, scars, black stars lashed to the bottom of canoes. Her characters are girls and boys in bad trouble, who feel as close to you and as far from you as the black sheep in your own family."—Karen Russell
"Leni Zumas is a wonder, an alchemist, a witch. She brews a wild elixir in these stories, which take you where you never thought to go. Here are mothers infatuated with astronauts and dragons; here is a girl suckling elvers and owlets. Here is the body unspooling and nibbled at, the body undone and made fast again with the strength of the wish to be loved. Something's timely in these stories and hip, and yet they let us fall out of time. Fall into sorrow and be lifted again. What a blessing-to succumb to Zumas's power, to these gorgeous, beguiling songs."—Noy Holland
"Zumas' novel is a reckoning, a warning, and nothing short of a miracle. Don't miss it."
"Zumas is a lyrical polymath of a writer: she loves wordplay and foreign terms, she has an ear for dialogue, and she knows an impressive amount about herbal healing, Arctic exploration, and the part of the U.S. her story is set in...A good story energized by a timely premise."
"Shattering.... With its strong point of view, the novel, in lesser hands, might have been reduced to agitprop, but Zumas has raised it, instead, to the level of literature, which readers will find deeply moving. The characters are beautifully realized, inviting empathy and understanding; the richly realized plot is compulsively readable, and the theme, with its echoes of Margaret Atwood, is never didactic but invites thought and discussion. The result is powerful and timely."
—Booklist, starred review
—Booklist, starred review
"In language both poetic and political, Zumas presents characters who are strong and determined; each is an individual in her own right. Inevitably, there will be comparisons to Margaret Atwood's The Handmaid's Tale, but Zumas's work is not nearly as dystopic or futuristic, only serving to make it that much more believable. Highly recommended."—Library Journal (starred review)
"Zumas's female characters are resourceful in the ways they resist. Although it has a serious message about how women are valued by society, Red Clocks is essentially a comedy, using humor to highlight the absurdities of authoritarianism and to celebrate self-determination.... Zumas [has] tapped into a newly resurgent literary tradition, one less prophetic than cautionary. They and many of their fellow writers of speculative fiction convey the need to be alert to injustice - and to be prepared to act against it."—High Country News
"Masterful.... This horror-show of a world is explored through the stories of five women: a single teacher who's using her last opportunities to try to have her own child; a frustrated mother; an adopted teen who finds herself pregnant; an introverted healer who provides illegal services in the woods; and a 19th-century female polar explorer. Their stories are stunning."—Bookpage
"[Red Clocks] asks us to rethink what it really means to be female in a world that's written almost exclusively by men.... It is always nice when a novel forces me to revisit the foundation of my values. It's a little bit like rereading your favorite books, every decade or so.... For all its polemics, Red Clocks is actually most notable for the brio of its prose--its excellent sense of timing and cadence.... Time's a-ticking, this novel seems to say. Wake up."—Fiona Maazel, Bookforum
"The book has a beautiful literary top over a highly relevant science fiction setting."
"This is the dystopia that the right wing wants...the characters in Red Clocks are nuanced and funny, and the novel itself is as in-your-face yet strangely beautiful as the cover art."
"Zumas' book stands out from the crowd for its thoroughness in revealing the hypocrisy inherent to valuing the lives a woman brings into this world, but not the life of the woman herself."
"Like Margaret Atwood in The Handmaid's Tale, Portland author Leni Zumas' new book describes a future both frightening and all too possible....[Zumas]has a lovely way with a sentence and a sharp understanding of how women can be jealous and supportive of each other in equal measure. The coastal setting is vividly rendered, as is the everyday reality of doctor appointments, dirty dishes and broken dreams."